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MikeDunnAuthorToday in Labor History May 26, 1895: American photojournalist Dorothea Lange was born. She is best-known for her empathetic photographs of people during the Great Depression. However, she is also one of the first to document the suffering of Japanese Americans who were imprisoned during World War II.Lange grew up poor, in New York’s Lower East Side. She was one of the only gentiles in her school, which was predominantly Jewish. As a young adult, she moved to San Francisco, where she began her career doing portraits for the wealthy. But as the depression began, she turned her camera to the streets, on hobo camps, refugees from Oklahoma, farmers, breadlines, the homeless, portraying the misery and desperation of the period, becoming one of the first photodocumentarians. 22 of her photographs were used in John Steinbeck’s 1936 journalistic series for the San Francisco news, The Harvest of Gypsies, and they served as an inspiration for the film version of Steinbeck’s Grapes of Wrath.<a href="https://kolektiva.social/tags/workingclass" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#workingclass</a> <a href="https://kolektiva.social/tags/LaborHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#LaborHistory</a> <a href="https://kolektiva.social/tags/GreatDepression" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GreatDepression</a> <a href="https://kolektiva.social/tags/poverty" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#poverty</a> <a href="https://kolektiva.social/tags/ww2" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ww2</a> <a href="https://kolektiva.social/tags/japanese" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#japanese</a> <a href="https://kolektiva.social/tags/prison" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#prison</a> <a href="https://kolektiva.social/tags/ConcentrationCamp" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ConcentrationCamp</a> <a href="https://kolektiva.social/tags/journalism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#journalism</a> <a href="https://kolektiva.social/tags/photography" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#photography</a> <a href="https://kolektiva.social/tags/DorotheaLange" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#DorotheaLange</a> <a href="https://kolektiva.social/tags/steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#steinbeck</a> <a href="https://kolektiva.social/tags/journalism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#journalism</a> <a href="https://kolektiva.social/tags/writer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#writer</a>

Pete<a href="https://mastodon.social/@Apiary" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@Apiary</a> <a href="https://mastodon.social/@tdp_org" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@tdp_org</a> <a href="https://infosec.exchange/@tinker" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@tinker</a> freedom to treat your workers like shit… it’s the American dream and built into capitalism from the ground up. The Grapes of Wrath is a fantastic critique. <a href="https://mas.to/tags/ReadSteinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ReadSteinbeck</a> <a href="https://mas.to/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a>

me·ta·phil, derPassend zur so schön sonnigen … <a href="https://chaos.social/tags/D%C3%BCrre" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Dürre</a> in 🇩🇪 gibt es in der <a href="https://ard.social/@NDR" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@NDR</a> <a href="https://chaos.social/tags/Mediathek" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Mediathek</a> gerade„Früchte des Zorns” von John <a href="https://chaos.social/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a> als <a href="https://chaos.social/tags/H%C3%B6rspiel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Hörspiel</a>-Serie ( bis 15.11.2025) (‚Grapes of Wrath‘ im Original)<a href="https://www.ndr.de/fruechtedeszorns" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://www.ndr.de/fruechtedeszorns</a>„Amerika in den dreißiger Jahren des 20. Jahrhunderts. In Oklahoma ist seit Jahren kein Regen mehr gefallen. Aus den <a href="https://chaos.social/tags/GreatPlains" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GreatPlains</a> ist eine ‚<a href="https://chaos.social/tags/DustBowl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#DustBowl</a>‘ geworden.”Lesenswert, bestimmt auch hörenswert<a href="https://chaos.social/tags/Armut" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Armut</a> <a href="https://chaos.social/tags/Klimakatastrophe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Klimakatastrophe</a> <a href="https://chaos.social/tags/Ausbeutung" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Ausbeutung</a> <a href="https://chaos.social/tags/Migration" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Migration</a> <a href="https://chaos.social/tags/Binnenmigration" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Binnenmigration</a> <a href="https://chaos.social/tags/Landwirtschaft" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Landwirtschaft</a>

Pete<a href="https://union.place/@ufwupdates" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@ufwupdates</a> <a href="https://mas.to/tags/ReadSteinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ReadSteinbeck</a> <a href="https://mas.to/tags/GrapesOfWrath" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#GrapesOfWrath</a> <a href="https://mas.to/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a>It's a great bottom up description of the capitalist process, and why <a href="https://mas.to/tags/capitalism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#capitalism</a> does not love humanity.

MikeDunnAuthorToday in Labor History February 27, 1902: John Steinbeck was born on this date in Salinas, California. He wrote numerous novels from the perspective of farmers and working-class people, including “The Grapes of Wrath,” “Tortilla Flats” “Of Mice and Men,” “Cannery Row,” and “East of Eden.” In 1935, he joined the communist League of American Writers. He faced contempt charges for refusing to cooperate with HUAC. The FBI and the IRS harassed him throughout his career. Yet he wrote glowingly about U.S. troops during the Vietnam War. He won the Nobel Prize for literature in 1962 and the Pulitzer in 1939.<a href="https://kolektiva.social/tags/workingclass" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#workingclass</a> <a href="https://kolektiva.social/tags/LaborHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#LaborHistory</a> <a href="https://kolektiva.social/tags/steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#steinbeck</a> <a href="https://kolektiva.social/tags/pulitzer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#pulitzer</a> <a href="https://kolektiva.social/tags/NobelPrize" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#NobelPrize</a> <a href="https://kolektiva.social/tags/strike" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#strike</a> <a href="https://kolektiva.social/tags/union" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#union</a> <a href="https://kolektiva.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#literature</a> <a href="https://kolektiva.social/tags/fiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#fiction</a> <a href="https://kolektiva.social/tags/fbi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#fbi</a> <a href="https://kolektiva.social/tags/communism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#communism</a> <a href="https://kolektiva.social/tags/novel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#novel</a> <a href="https://kolektiva.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://kolektiva.social/tags/author" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#author</a> <a href="https://kolektiva.social/tags/writer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#writer</a> <a href="https://kolektiva.social/tags/immigration" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#immigration</a> <a href="https://kolektiva.social/tags/poverty" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#poverty</a> <a href="https://a.gup.pe/u/bookstadon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@bookstadon</a>

Milano University PressIl <a href="https://mastodon.uno/tags/27Febbraio" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#27Febbraio</a> del 1902 nasce John Ernest <a href="https://mastodon.uno/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a>, premio <a href="https://mastodon.uno/tags/Nobel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Nobel</a> per la letteratura, conferitogli nel 1962. La rivista <a href="https://mastodon.uno/tags/Societ%C3%A0eDiritti" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#SocietàeDiritti</a> dedica un contributo alla sua “<a href="https://mastodon.uno/tags/trilogia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#trilogia</a> dei più vulnerabili” e in particolare all’opera <a href="https://mastodon.uno/tags/InDubiousBattle" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#InDubiousBattle</a>. Opera che rappresenta la <a href="https://mastodon.uno/tags/letteratura" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#letteratura</a> <a href="https://mastodon.uno/tags/proletaria" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#proletaria</a> nel difficile periodo della <a href="https://mastodon.uno/tags/crisi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#crisi</a> economica del #1929 e che riflette sul legame tra <a href="https://mastodon.uno/tags/potere" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#potere</a> e <a href="https://mastodon.uno/tags/ingiustizia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#ingiustizia</a>, fenomeno dallo <a href="https://mastodon.uno/tags/scrittore" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#scrittore</a> definito “il lato oscuro del <a href="https://mastodon.uno/tags/diritto" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#diritto</a>” 🔽 <a href="https://riviste.unimi.it/index.php/SED/article/view/25401?mtm_campaign=mastodon" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://riviste.unimi.it/index.php/SED/article/view/25401?mtm_campaign=mastodon</a>

JocelynChoose 20 books that have stayed with you or influenced you. One book per day for 20 days, in no particular order. No explanations, no reviews, just covers. Day 15/20 <a href="https://mastodon.gougere.fr/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://mastodon.gougere.fr/tags/BookChallenge" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#BookChallenge</a> <a href="https://mastodon.gougere.fr/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a>

Simon KasperJohn Steinbeck, A Russian Journal, 1948.Before his departure to the Soviet Union, Steinbeck ironically recounts the rumours about the place by average Americans who had never been there. Among them an old woman talking about people disappearing there in the thousands. The irony didn't age well.<a href="https://zirk.us/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://zirk.us/tags/bookstodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#bookstodon</a> <a href="https://zirk.us/tags/steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#steinbeck</a> <a href="https://zirk.us/tags/Russia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Russia</a>

JeremiahThe discussion surrounding the murder of the UnitedHealth CEO reminded me of a monologue John Steinbeck gives in East of Eden on Good and Evil and the story of the world. Excerpt:"It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world."Full monologue, (and it's a great read,) here: <a href="https://www.saltytron.com/posts/2024-12-06-steinbeck-only-story/" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://www.saltytron.com/posts/2024-12-06-steinbeck-only-story/</a><a href="https://sfba.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://sfba.social/tags/steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#steinbeck</a> <a href="https://sfba.social/tags/eastofeden" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#eastofeden</a> <a href="https://sfba.social/tags/unitedhealth" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#unitedhealth</a>

OutOfExile_IDR § Voice ®™️<a href="https://social.vivaldi.net/@OutOfExileIDR" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@OutOfExileIDR</a> Me, Jim Casy? Well, <a href="https://kolektiva.social/@benda" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@benda</a> ,It ain't like the catfish is in the batter bowl no more. I reckon, it's like this… 😉 ""I ain’t preachin’ no more much. The sperit ain’t in the people much no more; and worse’n that, the sperit ain’t in me no more. " -Jim Casey, Grapes of WrathJohn <a href="https://kolektiva.social/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a> <a href="https://kolektiva.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#literature</a>

MikeDunnAuthorToday in Labor History September 19, 1952: The United States barred Charlie Chaplin from re-entering the country after a trip to England. In 1947, his black comedy, Monsieur Verdoux, was released. In the film, he criticized capitalism and its reliance on wars and weapons of mass destruction. The FBI launched a formal investigation of him 1947, after public accusations that he was a communist. Chaplin denied the charges, calling himself a “peace monger.” Nevertheless, he protested the HUAC hearings and the U.S. trials of Communist Party members. Representative John Rankin called Chaplin's presence in Hollywood “detrimental to the moral fabric of America.” Writer George Orwell prepared list of people he believed were communists, which he gave to British intelligence before he died in 1949. The list included Chaplin and Michael Redgrave, as well as Paul Robeson, Katherine Hepburn, John Steinbeck and Orson Welles.<a href="https://kolektiva.social/tags/workingclass" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#workingclass</a> <a href="https://kolektiva.social/tags/LaborHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#LaborHistory</a> <a href="https://kolektiva.social/tags/communism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#communism</a> <a href="https://kolektiva.social/tags/hollywood" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#hollywood</a> <a href="https://kolektiva.social/tags/anticommunism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#anticommunism</a> <a href="https://kolektiva.social/tags/charliechaplin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#charliechaplin</a> <a href="https://kolektiva.social/tags/orsonwelles" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#orsonwelles</a> <a href="https://kolektiva.social/tags/steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#steinbeck</a> <a href="https://kolektiva.social/tags/orwell" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#orwell</a> <a href="https://kolektiva.social/tags/fbi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#fbi</a> <a href="https://kolektiva.social/tags/huac" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#huac</a> <a href="https://kolektiva.social/tags/actor" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#actor</a> <a href="https://kolektiva.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://kolektiva.social/tags/author" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#author</a> <a href="https://kolektiva.social/tags/novels" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#novels</a> <a href="https://kolektiva.social/tags/writer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#writer</a> <a href="https://kolektiva.social/tags/fiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#fiction</a> <a href="https://a.gup.pe/u/bookstadon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@bookstadon</a>

MikeDunnAuthorToday in Labor History August 27, 1934: 7,000 Filipino lettuce cutters and mainly white packing shed workers went on strike against the powerful Salinas Valley growers and shippers, demanding union recognition & improved wages and working conditions. Many of the white workers were Dust Bowl refugees. Most of the Filipino workers had immigrated as U.S. nationals, after the U.S. took over the Philippines, in the wake of the Spanish-American and Filipino-American Wars, the latter of which included a genocide in which a quarter of a million Filipino civilians died of famine and disease. There was rampant persecution of Filipino workers in California. Laws prohibited Filipino women from immigrating to the U.S. and prevented Filipino men from consorting with Anglo women. The American Federation of Labor initially refused to recognize or support the Filipino Labor Union (FLU). Scabs and vigilantes viciously beat Filipino strikers and chased 800 out of the Salinas Valley at gunpoint. They also burned down a labor camp. Police arrested picketers and union leaders for violation of the Criminal Syndicalism laws (laws that prohibited advocating any change to the economic and political status quo). The FLU ultimately won a raise and union recognition. However, discrimination and racist violence against Filipinos continued.Steinbeck wrote about the plight of Filipino migrant farmworkers in the Salinas Valley in a 1936 series of articles for the San Francisco News called “The Harvest of Gypsies,” which formed part of the basis for his novel, Grapes of Wrath. He said they were among the most discriminated, and best organized, ethnic group in the U.S. Their organizing, he went on to say, brought on terrorism against them by vigilantes and the government.<a href="https://kolektiva.social/tags/workingclass" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#workingclass</a> <a href="https://kolektiva.social/tags/LaborHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#LaborHistory</a> <a href="https://kolektiva.social/tags/union" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#union</a> <a href="https://kolektiva.social/tags/strike" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#strike</a> <a href="https://kolektiva.social/tags/filipino" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#filipino</a> <a href="https://kolektiva.social/tags/salinas" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#salinas</a> <a href="https://kolektiva.social/tags/farmworkers" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#farmworkers</a> <a href="https://kolektiva.social/tags/racism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#racism</a> <a href="https://kolektiva.social/tags/immigration" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#immigration</a> <a href="https://kolektiva.social/tags/colonialism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#colonialism</a> <a href="https://kolektiva.social/tags/police" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#police</a> <a href="https://kolektiva.social/tags/policebrutality" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#policebrutality</a> <a href="https://kolektiva.social/tags/vigilantes" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#vigilantes</a> <a href="https://kolektiva.social/tags/dustbowl" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#dustbowl</a> <a href="https://kolektiva.social/tags/steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#steinbeck</a> <a href="https://kolektiva.social/tags/journalism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#journalism</a> <a href="https://kolektiva.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://kolektiva.social/tags/author" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#author</a> <a href="https://kolektiva.social/tags/writer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#writer</a> <a href="https://kolektiva.social/tags/fiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#fiction</a> <a href="https://a.gup.pe/u/bookstadon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@bookstadon</a>

Lies Van RompaeyI've just finished John Steinbeck's East of Eden. I don't know why I never got round to reading it before.It blew me away. I loved the multitude of short story lines and deeply human character portrayals that build up de main story and clarify the themes.I read it as a vast and moving study of what it means to be human and what it means to be "good". The entrancing style and the beautiful prose were just icing on the cake. <a href="https://a.gup.pe/u/bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@bookstodon</a> <a href="https://flipping.rocks/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://flipping.rocks/tags/reading" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#reading</a> <a href="https://flipping.rocks/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a> <a href="https://flipping.rocks/tags/EastofEden" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#EastofEden</a>

Bodling"And the books that came into the house, some of them secretly --well, Samuel rode lightly on top of a book and he balanced happily among ideas the way a man rides white rapids in a canoe. But Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with book all over his face and hands." --- John Steinbeck, "East of Eden" ch. 23, sec. 1.<a href="https://deacon.social/tags/reading" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#reading</a> <a href="https://deacon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a href="https://deacon.social/tags/bookstodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#bookstodon</a> <a href="https://deacon.social/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a>

phαη†⊕m :fedora: 🎸 🏳️‍🌈 ⁂<a href="https://mamot.fr/tags/TheBoss" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TheBoss</a> & Tom Morello - The Ghost of Tom Joad (BB&T Arena Sunrise, FL - April 29, 2014) <a href="https://www.youtube.com/watch?v=pZkBZ8-w0RA" rel="nofollow noopener noreferrer" translate="no" target="_blank">https://www.youtube.com/watch?v=pZkBZ8-w0RA</a> <a href="https://mamot.fr/tags/Soundcheck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Soundcheck</a> <a href="https://mamot.fr/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a> Cc ta majesté <a href="https://social.zdx.fr/@lovisix" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@lovisix</a>

Kathy E. Gill 🇺🇦“I am a little man and this is a little town, but there must be a spark in little men that can burst into flame.” ~ Mayor Orden on the spark of resistance In ‘The Moon is Down’ John Steinbeck, 1942<a href="https://mastodon.social/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a> wanted to support democracy and those fighting totalitarianism. So he wrote a short novel about a hypothetical small town in northern Europe.<a href="https://mastodon.social/tags/WW2" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#WW2</a> <a href="https://mastodon.social/tags/Propaganda" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Propaganda</a> <a href="https://mastodon.social/tags/Resistance" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Resistance</a> <a href="https://mastodon.social/tags/Books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Books</a> <a href="https://mastodon.social/tags/Reading" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Reading</a> <a href="https://mastodon.social/tags/History" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#History</a>… (1/2)

Brian Jopek“To be alive at all is to have scars.” - John Steinbeck from “Winter Of Our Discontent.” <a href="https://mastodon.world/tags/TruerWords" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#TruerWords</a> <a href="https://mastodon.world/tags/DeepThoughts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#DeepThoughts</a> <a href="https://mastodon.world/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a>

Sebastian Schröder<a href="https://mastodon.social/@micchiato" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@micchiato</a> <a href="https://nrw.social/tags/steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#steinbeck</a> s right turn in the sixties is frightening

MikeDunnAuthorToday in Labor History September 19, 1952: The United States barred Charlie Chaplin from re-entering the country after a trip to England. In 1947, his black comedy, Monsieur Verdoux, was released. In the film, he criticized capitalism and its reliance on wars and weapons of mass destruction. The FBI launched a formal investigation of him 1947, after public accusations that he was a communist. Chaplin denied the charges, calling himself a “peace monger.” Nevertheless, he protested the HUAC hearings and the U.S. trials of Communist Party members. Representative John Rankin called Chaplin's presence in Hollywood “detrimental to the moral fabric of America.” Writer George Orwell prepared list of people he believed were communists, which he gave to British intelligence before he died in 1949. The list included Chaplin and Michael Redgrave, as well as Paul Robeson, Katherine Hepburn, John Steinbeck and Orson Welles.<a href="https://kolektiva.social/tags/WorkingClass" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#WorkingClass</a> <a href="https://kolektiva.social/tags/LaborHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#LaborHistory</a> <a href="https://kolektiva.social/tags/communism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#communism</a> <a href="https://kolektiva.social/tags/hollywood" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#hollywood</a> <a href="https://kolektiva.social/tags/anticommunism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#anticommunism</a> <a href="https://kolektiva.social/tags/CharlieChaplin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#CharlieChaplin</a> <a href="https://kolektiva.social/tags/OrsonWelles" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#OrsonWelles</a> <a href="https://kolektiva.social/tags/Steinbeck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#Steinbeck</a> <a href="https://kolektiva.social/tags/orwell" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#orwell</a> <a href="https://kolektiva.social/tags/fbi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#fbi</a> <a href="https://kolektiva.social/tags/huac" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#huac</a> <a href="https://kolektiva.social/tags/actor" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#actor</a> <a href="https://kolektiva.social/tags/writer" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#writer</a> <a href="https://kolektiva.social/tags/fiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#fiction</a> <a href="https://a.gup.pe/u/bookstadon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@bookstadon</a>

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