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#WayneShorter

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#Jazz #BlueNote

If you're a #JazzFan, you already "in love" with Blue Note Records & it will take a lot more lot more than 5 minutes to listen to all of the suggested tracks in this NYT article -- it'll take you over 8 mins to listen to the 1st -- but, take my word for it, it's worth the time.

#WayneShorter's #SpeakNoEvil; #LeeMorgan's #PartyTime; #ArtBlakey's #Pensativa; #BobbyHutherson's #Avis & #CliffordBrown's #EasyLiving are my favorite tracks among those mentioned.

nytimes.com/2025/02/05/arts/mu

BTW, this is a gift article provided by #MosaicRecords in the current issue of its #JazzGazette which you can find here:

mosaicrecords.com/jazz-gazette

The New York Times · 5 Minutes That Will Make You Love Blue Note RecordsPar Marcus J. Moore

Art Blakey & The Jazz Messengers – First Flight to Tokyo

Previously unreleased Art Blakey & The Jazz Messengers live recording “First Flight to Tokyo,” a January 1961 concert during the band’s first-ever tour of Japan with Lee Morgan, Wayne Shorter, Bobby Timmons & Jymie Merritt.

Subtitled « the lost 1961 recordings », this is a collection of live recordings from Tokyo in 1961 […]

didiermary.fr/rss-club/art-bla

Didier J. MARY (blog)Art Blakey & The Jazz Messengers - First Flight to Tokyo - Didier J. MARY (blog)Art Blakey & The Jazz Messengers - First Flight to Tokyo - Previously unreleased live recording from a 1961 concert during a tour of Japan
#Jazz#Japan#ArtBlakey

A while back I ranked my favorite Autumn albums and somehow forgot to include what has got to be the best Autumn album ever: Wayne Shorter's Speak No Evil.

This is Wayne Shorter's album but to me the real star on this is Herbie Hancock. This album represents some of his best and most creative playing and the melodies are such earworms.

Wayne Shorter - Speak No Evil

Yet another true classic from Shorter. This 1964 release featuring Shorter, Ron Carter (bass), Elvin Jones (drums), Herbie Hancock (piano), and Freddie Hubbard (trumpet), has them playing a great set of Shorter originals.

One of the best albums of the period, I think, given a spiffy reissue by Blue Note.