Der Oscar nominierte Filmemacher Johan #Grimonprez erzählt in seiner #Ausstellung „All Memory Is Theft“ im Zentrum für Kunst und Medien in #Karlsruhe multiperspektivische Geschichten. Wie er mit seiner Arbeit die #Geschichte neu schreibt: @ThieleCarmela #zkm https://www.riffreporter.de/de/gesellschaft/retrospektive-des-filmemachers-johann-grimonprez-im-zkm

I loved how you could see random #ZKM visitors (usually older people) passing through who'd sometimes stop and look at the #GPN23 hack centre in awe.

Imagine expecting to go to an art museum and then being hit with the full brunt of our culture; #hackers on benches with their laptops, colourful LEDs and odd electronic contraptions everywhere, tonnes of #queer and/or #furry people and so much more :D

Woah, oben in der #ZKM-Ausstellung haben sie eine funktionstüchtige SGI O2 mit #Irix! :O

Laut Schild "voraussichtlich zum letzten Mal", dass die Installation auf der originalen Hardware läuft.

Mein Vortrag zur Digitalen Gewalt gestern im #ZKM in Karlsruhe bei der #GPN23 ist online.

Wen betrifft sie? Wer muss sich vor Ferienwohnungen fürchten? Was hat die neue Bundesregierung dazu vor, und warum nicht? Was hat das mit Kommunalpolitik zu tun? Und was kostet das überhaupt?

Aber auch: Was macht es mit Betroffenen, wer hilft ihnen und was macht diese Arbeit schwer? Warum sind gute Passwörter nicht immer eine gute Lösung?

#DigitaleGewalt, 80 Folien in 45 Minuten
https://media.ccc.de/v/gpn23-62-digitale-gewalt-gegen-frauen

Aujourd’hui on s’est organisé une petite visite au #ZKM à Karlsruhe avec une partie de la team @limitesnumeriques @nolwennm @anaellebeignon + @vi et des copains, c’était trop bien !

Il y a jusqu’au 24 août une expo intitulée “Choose Your Filter! – Browser Art since the Beginnings of the World Wide Web” qui vaut le coup si vous passez dans le coin, plus 2 autres très cool aussi : une sur Waldemar Cordeiro et une qui expose une partie du fond du ZKM.

https://zkm.de/en/2025/02/choose-your-filter

Today it's already 3 weeks since the opening of "The Story Never Ends" exhibition at ZKM Karlsruhe, showcasing around 100 works by 75 artists from the museum's collection of 12,000 artworks, one of the largest and most important media art collections in the world (since the 1950s).

Due to the stress of the recent weeks, I've completely missed posting more pictures of my piece on display there (De/Frag, 2021). It's a custom site-specific version which will keep changing/evolving non-stop for the next 5 months (until the end of the show in late September). The pictures attached are by Clara Runge, the curator of the show. Thank you!

https://zkm.de/en/2025/04/the-story-that-never-ends

A plea: If you happen to go to ZKM and get to see the piece, please do take & post some pictures — I'm very keen to see snapshots over time (so far I've only had it running for a few weeks, but never for months on end...)

More info about the piece and images also here in this thread:
https://mastodon.thi.ng/@toxi/114245042903764105

Super pleased to announce that a custom version of De/Frag (2021) will be on display at ZKM Karlsruhe as part of their new milestone show "The Story That Never Ends" from next Saturday, April 5 until September 20. The exhibition features approx. 100 works from their collection of 12,000 works of the past 70 years. It's a true honor to be part of it!

https://zkm.de/de/2025/04/the-story-that-never-ends

Unlike the original release, which was constrained to only 640x640 pixels, this new custom version runs at 1080x1920 resolution on a large 75" screen, and will continuously evolve over the course of the next 5½ months, i.e. for the entire duration of the exhibition.

De/Frag is a homage and exploration of the classic flood fill algorithm, combined with semi-randomly generated bit/fill patterns, multiple iteration & sorting strategies, creating an endlessly changing tapestry of complex pixel textures and tectonics, whilst revealing the inner workings of the intentionally slowed down core algorithm. It also is an exercise in algorithmic purity, attempting to devise a minimalist generative system producing maximalist variation (relative to its setup).

The downscaled 30 second time lapse shows snapshots of a 20 minute time window, with one frame taken every 5 seconds... In reality, all transitions are continuous and mesmerizing to watch unfold in unexpected way (something the time lapse cannot do justice).

I started playing "Through the darkest of times" as a learning experience. In the game you lead a resistance group during the Nazi Regime.

https://paintbucket.de/de/game/through-the-darkest-of-times

Learned about this game at #ZKM #Karlsruhe, a #museum with a #gaming exhibition (which I recommend, played original DDR pong with my nephew).

Visit Museums, galleries and all the other places of art and thinking. As long as we still can!

Anyone else here going to the Workshop on New Media Art Archiving 2025 at ZKM Karlsruhe next month? We'll do a workshop on knowledge graphs, connecting Media Art archives in real time. #WNMAA #zkm https://zkm.de/en/project/workshop-on-new-media-art-archiving-2025

Huch, was ist denn das? Cache pollution oder war das gehackt? #ZKM #Karlsruhe

Leute, pilgert ins #ZKM in #Karlsruhe und schaut euch diese außergewöhnliche #Performance von zwei Industrierobern mit schwarzen #Fahnen an. Ein Pas de Deux der besonderen Art.

Warum sind das erste was einen anlacht kurz vorm #zkm eigtl so hässliche #noAfD Plakate?
#gpn22 #karlsruhe

Herbert W. Franke über das Eiszeitgemälde von Altamira.
a) https://mprove.de/chrono?iiif-content=https://mrp.daten.zkm.de/iiif/2704/manifest /via #ZKM #ZKMKarlsruhe
b) https://mprove.de/chrono?q=43.37725,-4.11931&z=14&t=14&m=XYOjoGuarena&o=0.8&d=1&s=1&i=1