I DIDN'T THINK I COULD STILL BE STUNNED BY HOW DELUDED THE #NarcissistInChief #EgomaniacInChief truly IS: 
#DementiaDon just compared his #First100Days to that of #FDR. He thinks he inherited a #GreatDepression.
FDR was elected in the midst of #TheGreatDepression. #NaziDon inherited 4.2% #unemployment and is CAUSING the next #Depression via his stupidity.
FDR got Congress to pass 100s of new reforms.
#DictatorDon is doing everything via #ExecutiveOrder. #100Days
https://www.washingtonpost.com/politics/2025/04/28/trump-fdr-100-days/
The Washington Post · Trump claims mantle of FDR’s first 100 days, but differences are stark
![The image is a black-and-white photograph depicting several individuals gathered in an urban setting. The group consists of men, with one standing prominently on the left side wearing a dark suit and hat, while two others are conversing closely at center stage; both also dressed formally but without hats. One man leans against a wooden plank, smoking or contemplating something, evidenced by his hand near his face in a thoughtful gesture.
Behind them is a street filled with pedestrians and vehicles indicative of an earlier era, likely mid-20th century based on the fashion styles and automobile design visible. Various storefronts line the sidewalk including signs for businesses like "HONEY LOAN" indicating financial services available at that time, as well as establishments such as cafes.
The architecture suggests a downtown area with multi-story buildings featuring commercial signage in bold lettering above their entrances. Some of these are illuminated by electric lights which were not common earlier than late 19th century or early 20th-century America. The photograph exudes an atmosphere reflective of urban life during the Great Depression era, capturing both social interaction and economic struggle within a bustling cityscape.
This image was taken in San Francisco, California according to provided information linked via alt text which also references "Salvation Army" indicating possible charitable or community invol [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/391/328/318/542/657/original/f1e2a5e2d4c88284.jpeg "The image is a black-and-white photograph depicting several individuals gathered in an urban setting. The group consists of men, with one standing prominently on the left side wearing a dark suit and hat, while two others are conversing closely at center stage; both also dressed formally but without hats. One man leans against a wooden plank, smoking or contemplating something, evidenced by his hand near his face in a thoughtful gesture.
Behind them is a street filled with pedestrians and vehicles indicative of an earlier era, likely mid-20th century based on the fashion styles and automobile design visible. Various storefronts line the sidewalk including signs for businesses like \"HONEY LOAN\" indicating financial services available at that time, as well as establishments such as cafes.
The architecture suggests a downtown area with multi-story buildings featuring commercial signage in bold lettering above their entrances. Some of these are illuminated by electric lights which were not common earlier than late 19th century or early 20th-century America. The photograph exudes an atmosphere reflective of urban life during the Great Depression era, capturing both social interaction and economic struggle within a bustling cityscape.
This image was taken in San Francisco, California according to provided information linked via alt text which also references \"Salvation Army\" indicating possible charitable or community invol [...]")
![The photograph is a black and white image depicting two men seated on the ground, likely within an outdoor setting such as a camp. The man in the foreground wears a wide-brimmed hat with sunglasses atop it, indicating possible sun exposure or glare from sunlight. He dons casual attire consisting of layered shirts—denim over wool—and jeans, along with dark shoes showing signs of wear.
The seated men appear contemplative or possibly fatigued; their relaxed posture and downcast gazes suggest a momentary respite amidst daily laborious activities typical to migrant workers during the era. The setting's simplicity—the absence of luxury items—alongside their modest clothing points towards economic hardship, aligning with historical accounts of migratory work conditions.
The background is minimally detailed but includes what appears to be part of an awning or tent-like structure on right and a partial view of another individual in the far distance. The overall composition underscores themes prevalent during the Great Depression era concerning rural laborers' living circumstances, mobility, economic dependence, and social isolation within their transient community.
The image's historical context is further enriched by its accompanying information indicating that it was taken at "Migrant worker in camp" with a specified location of California—specifically identified as Yuma. The photograph captures the essence of migrant life d [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/369/438/100/093/569/original/eb2160add1f9832c.jpeg "The photograph is a black and white image depicting two men seated on the ground, likely within an outdoor setting such as a camp. The man in the foreground wears a wide-brimmed hat with sunglasses atop it, indicating possible sun exposure or glare from sunlight. He dons casual attire consisting of layered shirts—denim over wool—and jeans, along with dark shoes showing signs of wear.
The seated men appear contemplative or possibly fatigued; their relaxed posture and downcast gazes suggest a momentary respite amidst daily laborious activities typical to migrant workers during the era. The setting's simplicity—the absence of luxury items—alongside their modest clothing points towards economic hardship, aligning with historical accounts of migratory work conditions.
The background is minimally detailed but includes what appears to be part of an awning or tent-like structure on right and a partial view of another individual in the far distance. The overall composition underscores themes prevalent during the Great Depression era concerning rural laborers' living circumstances, mobility, economic dependence, and social isolation within their transient community.
The image's historical context is further enriched by its accompanying information indicating that it was taken at \"Migrant worker in camp\" with a specified location of California—specifically identified as Yuma. The photograph captures the essence of migrant life d [...]")
![The black and white photograph depicts a man wearing a dark jacket with a high collar, buttoned up to the neck. Over his head is what appears to be a knitted hat or cap that's slightly slanted on one side of his forehead, casting a shadow over part of his face which lends him an air of introspection or contemplation. The background shows riveted metal panels, suggesting he may be outdoors near some sort of industrial structure such as a ship, bridge, or factory. He is looking to the right with a serious expression on his face and there's no discernible smile. His chin juts out slightly which adds to his distinguished look.
The photograph has an aged quality indicative of early 20th-century photography techniques, possibly around World War I era judging by fashion styles, particularly in men’s hats and jackets from that period. The image is marked with a label '35871' at the bottom right corner which could be referencing its archival number or cataloging system within an archive.
This particular photograph seems to capture more than just a moment; it tells a story of someone who may have been partaking in significant events during that era, given his serious demeanor and utilitarian clothing. It's also worth noting Dorothea Lange was known for her work with the Farm Security Administration (FSA) documenting poverty and social injustice during The Great Depression.
For additional context on this specific image or others [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/359/293/071/934/428/original/0430274b37e9c290.jpeg "The black and white photograph depicts a man wearing a dark jacket with a high collar, buttoned up to the neck. Over his head is what appears to be a knitted hat or cap that's slightly slanted on one side of his forehead, casting a shadow over part of his face which lends him an air of introspection or contemplation. The background shows riveted metal panels, suggesting he may be outdoors near some sort of industrial structure such as a ship, bridge, or factory. He is looking to the right with a serious expression on his face and there's no discernible smile. His chin juts out slightly which adds to his distinguished look.
The photograph has an aged quality indicative of early 20th-century photography techniques, possibly around World War I era judging by fashion styles, particularly in men’s hats and jackets from that period. The image is marked with a label '35871' at the bottom right corner which could be referencing its archival number or cataloging system within an archive.
This particular photograph seems to capture more than just a moment; it tells a story of someone who may have been partaking in significant events during that era, given his serious demeanor and utilitarian clothing. It's also worth noting Dorothea Lange was known for her work with the Farm Security Administration (FSA) documenting poverty and social injustice during The Great Depression.
For additional context on this specific image or others [...]")
![The black and white photograph depicts a migrant family standing outside their tent. There are four individuals visible: two adults, presumably the parents, and two children who appear to be their offspring. The adult woman on the left is wearing an apron over her clothes, suggesting she might have been engaged in domestic tasks or work that required protection for her clothing. She stands with a slightly hunched posture and looks away from the camera.
The middle child appears older of the two young girls; she wears a dress with puffed sleeves and has a hat on her head which seems to be indicative of cold weather, as it covers most of her ears and forehead. Her expression is contemplative or possibly resigned.
To the right stands another adult man dressed in darker clothing compared to his partner's attire. His stance is more upright than that of the woman standing beside him but not entirely straight; he has a relaxed posture with one arm resting on what appears to be a wooden box placed against their tent, and it gives off an impressionistic feeling.
The younger child next to this adult man looks directly into the camera with her hands clasped in front. She wears a dress that's less elaborate than her elder sister’s attire but seems functional for daily wear; she has on practical shoes suited more towards walking or farm work rather than formal events like church attendance, which would have been typical at that tim [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/352/636/086/632/045/original/5b3805c722c8e4f6.jpeg "The black and white photograph depicts a migrant family standing outside their tent. There are four individuals visible: two adults, presumably the parents, and two children who appear to be their offspring. The adult woman on the left is wearing an apron over her clothes, suggesting she might have been engaged in domestic tasks or work that required protection for her clothing. She stands with a slightly hunched posture and looks away from the camera.
The middle child appears older of the two young girls; she wears a dress with puffed sleeves and has a hat on her head which seems to be indicative of cold weather, as it covers most of her ears and forehead. Her expression is contemplative or possibly resigned.
To the right stands another adult man dressed in darker clothing compared to his partner's attire. His stance is more upright than that of the woman standing beside him but not entirely straight; he has a relaxed posture with one arm resting on what appears to be a wooden box placed against their tent, and it gives off an impressionistic feeling.
The younger child next to this adult man looks directly into the camera with her hands clasped in front. She wears a dress that's less elaborate than her elder sister’s attire but seems functional for daily wear; she has on practical shoes suited more towards walking or farm work rather than formal events like church attendance, which would have been typical at that tim [...]")
![The image is a black and white photograph featuring an elderly man standing in the middle of a field. He's wearing practical, work-appropriate clothing that includes a short-sleeved button-up shirt with pockets on both sleeves, which are rolled up to his elbows, as well as khaki pants secured by a belt at his waistline. His stance is relaxed yet upright, and he appears confident in the setting around him.
His expression is pleasant; he's smiling directly towards the camera, showcasing white teeth that suggest good dental health or possibly use of an aesthetic aid like dentures. The man has on what seems to be a cap with a brim, which could provide shade from the sun—a common accessory for outdoor laborers. His gaze and posture convey contentment.
The field he's standing in is filled with tall crops that reach nearly as high as his chest. These plants are likely grain or another type of crop commonly cultivated on farms. The sky above him appears to be mostly clear, although there seems to be a hint of cloud cover towards the horizon where trees can faintly be seen.
The photograph has an overall timeless quality due to its monochromatic scheme and composition that emphasizes simplicity and straightforwardness—a common approach in documentary photography which aims to capture real-life moments without embellishment. The absence of color focuses attention on form, texture, contrast, and subject matter rather than the pla [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/343/014/195/084/345/original/dfa74a3d26ff57aa.jpeg "The image is a black and white photograph featuring an elderly man standing in the middle of a field. He's wearing practical, work-appropriate clothing that includes a short-sleeved button-up shirt with pockets on both sleeves, which are rolled up to his elbows, as well as khaki pants secured by a belt at his waistline. His stance is relaxed yet upright, and he appears confident in the setting around him.
His expression is pleasant; he's smiling directly towards the camera, showcasing white teeth that suggest good dental health or possibly use of an aesthetic aid like dentures. The man has on what seems to be a cap with a brim, which could provide shade from the sun—a common accessory for outdoor laborers. His gaze and posture convey contentment.
The field he's standing in is filled with tall crops that reach nearly as high as his chest. These plants are likely grain or another type of crop commonly cultivated on farms. The sky above him appears to be mostly clear, although there seems to be a hint of cloud cover towards the horizon where trees can faintly be seen.
The photograph has an overall timeless quality due to its monochromatic scheme and composition that emphasizes simplicity and straightforwardness—a common approach in documentary photography which aims to capture real-life moments without embellishment. The absence of color focuses attention on form, texture, contrast, and subject matter rather than the pla [...]")
![The image is a black and white photograph featuring an older man standing against a plain, light background. The subject appears to be middle-aged or elderly with graying hair styled in a slightly wavy manner that recedes at the temples. His eyebrows are thick and his expression is neutral but somewhat stern.
He wears a dark-colored tie loosely knotted around his neck, over an open collar white shirt. Over this outfit, he has on a light gray cardigan sweater, unbuttoned to reveal both his chest hair and part of his abdomen beneath the shirt. The man's posture suggests casualness as one hand appears in his pocket.
The image is labeled with text at the top right corner reading "MJ15 STARTIM A302" which might be a reference number or code related to its cataloguing, possibly by an organization like the Farm Security Administration (FSA) or Guggenheim Foundation. There's also handwritten notation on the negative border: “M1J 8697 - F2” and "A5." The latter likely indicates this photograph is part of a series with a specific identification number.
There are no visible distinctive features that would immediately identify him as Tom Collins, manager of Kern County migrant camp in California. However, the context provided suggests it may be related to his role or work within that capacity during Dorothea Lange's photography project documenting the lives and conditions of migratory workers on America’s western coast.
It is im [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/339/844/732/573/912/original/409d44f478643e73.jpeg "The image is a black and white photograph featuring an older man standing against a plain, light background. The subject appears to be middle-aged or elderly with graying hair styled in a slightly wavy manner that recedes at the temples. His eyebrows are thick and his expression is neutral but somewhat stern.
He wears a dark-colored tie loosely knotted around his neck, over an open collar white shirt. Over this outfit, he has on a light gray cardigan sweater, unbuttoned to reveal both his chest hair and part of his abdomen beneath the shirt. The man's posture suggests casualness as one hand appears in his pocket.
The image is labeled with text at the top right corner reading \"MJ15 STARTIM A302\" which might be a reference number or code related to its cataloguing, possibly by an organization like the Farm Security Administration (FSA) or Guggenheim Foundation. There's also handwritten notation on the negative border: “M1J 8697 - F2” and \"A5.\" The latter likely indicates this photograph is part of a series with a specific identification number.
There are no visible distinctive features that would immediately identify him as Tom Collins, manager of Kern County migrant camp in California. However, the context provided suggests it may be related to his role or work within that capacity during Dorothea Lange's photography project documenting the lives and conditions of migratory workers on America’s western coast.
It is im [...]")
![The image is a black and white photograph depicting two men standing outdoors. The man on the left wears overalls, a long-sleeved shirt with rolled-up sleeves, a cap turned backward, and has his hands in pockets while holding an object near his mouth that appears to be a pipe or cigarette. His stance suggests relaxation.
The man on the right is dressed more formally than the first; he dons a jacket, pants, a hat, and shoes suitable for work. He stands with one hand partially raised as if gesturing or in mid-conversation, while holding what looks like rolled-up papers in his other hand.
Both men appear to be middle-aged adults. They are standing on an elevated ground surrounded by trees indicative of a forested area, which suggests they might be away from urban settings and possibly engaged in manual labor given their attire. The landscape is open with no immediate structures or buildings visible around them.
The photograph carries historical significance as it seems related to the non-farm migrants during the Great Depression era who moved westward seeking work opportunities in places like Oregon's Gilchrist lumber mill, as indicated by the caption provided and context clues within the image itself. The overall mood of the photo is solemn yet resilient, capturing a moment of pause amidst their journey or labor.
The photograph’s composition focuses on these two figures against the natural backdrop, highlighting human [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/327/289/232/294/131/original/3c844f07beb3b800.jpeg "The image is a black and white photograph depicting two men standing outdoors. The man on the left wears overalls, a long-sleeved shirt with rolled-up sleeves, a cap turned backward, and has his hands in pockets while holding an object near his mouth that appears to be a pipe or cigarette. His stance suggests relaxation.
The man on the right is dressed more formally than the first; he dons a jacket, pants, a hat, and shoes suitable for work. He stands with one hand partially raised as if gesturing or in mid-conversation, while holding what looks like rolled-up papers in his other hand.
Both men appear to be middle-aged adults. They are standing on an elevated ground surrounded by trees indicative of a forested area, which suggests they might be away from urban settings and possibly engaged in manual labor given their attire. The landscape is open with no immediate structures or buildings visible around them.
The photograph carries historical significance as it seems related to the non-farm migrants during the Great Depression era who moved westward seeking work opportunities in places like Oregon's Gilchrist lumber mill, as indicated by the caption provided and context clues within the image itself. The overall mood of the photo is solemn yet resilient, capturing a moment of pause amidst their journey or labor.
The photograph’s composition focuses on these two figures against the natural backdrop, highlighting human [...]")