Hey everyone !! I just finished making a small website called me'te.o.ra : it's a small synth which uses openly available meteorological data to generate sounds and visuals.
I'm always wondering how the weather is where my loved ones are. This website is a way to make a kind of choir of weather data, depending on locations.
I had the pleasure to think and produce the web specimen of the typeface NaN Archy designed by 
@helenemarian It’s an interactive audio+text piece based on the music of the duo Autoreverse (Nina Garcia aka Mariachi and Arnaud Rivière).
Check this out! http://nanananarchy.com/
#noise #typeface #typeDesign #typeSpecimen #webDesign #webAudio #netart
“être script” is a short essay in which a small computer program introduces itself and its relation to the world.
Read it online in French here:
https://raphaelbastide.com/etre-script/
English version coming soon.
I can’t send copies yet (baby care) but let me know if you want one if you are around (paris), hand-to-hand should be doable.
fell down the rabbit hole and explored Audio Worklets, an API to process audio on a separate thread, and used #Rust to write a white noise generator
i know what you're thinking, how is running Rust on the web fast? let's find out #WebAudio #WASM #ReactJS #DSP #blog
https://whoisryosuke.com/blog/2025/processing-web-audio-with-rust-and-wasm
About to release this JavaScript library 
It's a clock/scheduler which schedules notes for Web MIDI or Web Audio.
It can drive a MIDI clock 100% accurately, just like professional software such as Logic Pro or Ableton can do.
There’s no slowdown or drift as it uses an Audio Worklet to schedule using the audio thread 
4'33" (as performed by your browser)
https://5013.es/toys/433/
With several players to choose from, you'll never get tired of listening to their performances of John Cage's 4'33" in your browser.
Some background here: https://5013.es/p/10/
With thanks to @darius and @jenn for the spark of inspiration like 10 years ago 
It’s Friday, time to tweak The Sleng Teng Modulator in the studio. 
https://raphaelbastide.com/sleng-teng-modulator/
#riddim #webaudio #mixing
fzzu2, kindofbell, hi-hhaaarz, low-hhaaarz, dyslexwoodstick, hornyhorn…
Naming synths is very difficult
#synths #ete #webaudio #synthnerd
You don’t care, but changing my webaudio synthetizer makes me save tons of delay I was experiencing with webMIDI. A small but important victory.
#webaudio #midi #synth #programming
UPDATE: These libraries abstract away much of the complexity of the Web Audio API.
https://alemangui.github.io/pizzicato/
The Pizzicato basic example (in the screenshot below) is helpfful because it clearly highlights the contrast in complexity against Web Audio API code that accomplishes exactly the same.
WaveSurfer is a bit different, and I'm including it because it has a very rich suite of examples
https://wavesurfer.xyz/examples/
I could build a reproducible test case of how Firefox is ignoring my linearRampToValueAtTime for gain nodes
https://soledadpenades.com/posts/2024/clipping-oscillators-on-start/
I don't know why I get so excited!! But I am.
While I try to file the bug, my post explains how I captured the output of the audio context using MediaRecorder, and made it so that you can download the files straight from the browser to visualise them in Audacity. Even in Safari 
Here's my #webaudio library Pelimanni. It contains subtractive-synthesised classical instruments and utilities for making dynamically looping music with them. https://github.com/vuoro/pelimanni/
Here's a demo, playing a bit of my favourite FFXI song, Heaven's Tower: https://music.vuoro.dev
Lovely new microsite from ableton explaining tuning systems: https://tuning.ableton.com/
Now, if anyone would have some pointers how to easily get a WebAudio AudioWorklet going with @vite, then that example could be updated to produce realtime audio and I could listen to that for hours in the background... 
AFAICT support for worklets is still outstanding and so far I only managed it via pre-compiling/bundling the worklet code in a separate build step, but it's not great to work with that way during dev...
8 years ago I partially started going back to my roots to begin working on a number of #Forth based DSLs & REPLs for livecoding... not just for audio/music, but also #GenerativeArt, #shaders, #geometry and GUI/layout generation. Even today, I still think Forth-like #concatenative languages have unique potential & freedoms and are severely under-explored in all of those domains mentioned. Even though all of the examples in this thread are early, pretty rough prototypes, I'd like to share some videos/screenrecs of my previous research, maybe also to inspire others exploring this approach of programming more...
First off, a #WebAudio prototype from 2015, made in the browser REPL at http://forth.thi.ng (audio starts at ~2:15)
There's only a single audio buffer used here (boilerplate setup for that in the first 2 mins of the video) and all subsequent operations just write to that buffer or manipulate its contents...
1/4
Check out what I just published on Replit: Replit in December 02: Sound Test https://replit.com/@triptych/Replit-in-December-02-Sound-Test?v=1 #replit #javascript #webaudio
Talking of #909Day, today is also the release of a great new #OpenSource, #WebAudio based virtual 909 by the ever excellent Extralife.
Highly recommended and lots of fun to play with!
Check it out at https://extralifeinstruments.com/er-99/
Accompanying video: https://www.youtube.com/watch?v=3-Zrz8xg-ms
