Hi @zhivi ! You asked me to describe my ecofiction... here is my best go at it, this morning.
I write for myself and others who are interested in visualizing what is possible, from a perspective of where we are starting. It's not science fiction. It's not realistic fiction. It's somewhere in between. I call it Visionary Ecofiction. I've written three novels, one is published (The Erenwine Agenda, with a focus on hydraulic fracturing, the natural gas extraction process), another is about to be published (Otter Coast, with a focus on medical marijuana and creative states of consciousness) and the third is - well, still being written through Nanowrimo (Rail is the working title, although I have changed it up a few times already; it has a focus on the logistics of high speed transit and community planning - and the protagonist is aiming to save the world
).
All three interweave romance, although they're not romances. I call them adventures, love stories, mysteries... a little of all of these. Visionary Ecoficiton encapsulates the intrigue of all these genres, for me. The work is typically classified as Literary Fiction or Contemporary Fiction, and is also listed as Visionary and Metaphysical Fiction. The Erenwine Agenda was shortlisted for an international publishing award in the Visionary and Metaphysical category, and reached #5 on Amazon in the same group. It's on several Goodreads Lists (including Powell's Books') for classic and new Ecofiction and CliFi (Climate Change Fiction). I began publishing myself, and then branched out into publishing work of other authors when I realized there are many other people like me, who are optimists in the world and who write about ecology. We needed a platform! I created one. (This is the link.) https://www.aseiarts.com/
I think one of the best encapsulations of my work comes in the form of an interview conducted by the old Ecofiction.com site, now Dragonfly.eco. It was written a while ago when I was still married, and was not as far along in my writing trajectory - yet it summarizes the spirit of my work very clearly. (Thanks Mary for updating my name!) https://dragonfly.eco/maia-kb-chowdhury/ @ecofiction
My work (partly what you and I began talking about) also touches on race, identity and social context. I think that is as important in today's emerging conversations about climate as is the basic underlayment of ecology in ecofiction. How we identify ourselves and each other IS our cultural ecology. As a woman of mixed race, who identifies with more than one group, I feel a personal responsibility (and pleasure) to share my own intersectional experience through writing.
Thank you for asking!